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![]() Need feedback on various acoustic bass guitars (Page 2)
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| Author | Topic: Need feedback on various acoustic bass guitars |
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King David Member |
I juat wanted to add one more thing. I play electric bass. I find it meets my needs for playing with acoustics. I don't sound like an upright, but I don't really want to either. I think a good ol' electric sounds fine with acoustics especially with a semi-rock feel. If your are looking more for the upright sound then you may want to look at your options. I played a Fender Jazz for a long time and I now have a lakland Skyline 55-02 5 string. I have not had a problem withe either sounding good in a mix with acoustics strummed or fingerpicked. You can change the tone of the bass a little with proper eq and/or pickup configurations. I just thought I would add another 1 cent to my previous 2 cents. |
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Todd Stuart Phillips Member |
Thanks y'all I expect to spend less then a grand, use it exclusively for home recording, but like the option of using a mike and getting the guitar-like sound out of it or plugging it in. So the acoustic volume thing is not an issue (though I will point out there is a new non-wood resin acoustic bass guitar out there that is actually suppose to be loud enough, but way out of my price range). I must admit I just like the idea of staying acoustic in principal, even if I am going through a pickup sometimes. Thanks again |
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Rick Turner Moderator |
The main reason I designed the Renaissance basses was that I just don't think that acoustic bass guitars work. I haven't heard one which can hold it's own with guitars, banjos, mandolins, etc. without being plugged in. Then they turn into wolftone feedback monsters. The very qualities which try to make them "acoustic" work against plugging them in. I think ABGs are fine for livingroom play and little else. The best of them are the old Guilds and Ernie Ball Earthwoods with very deep bodies. Even played softly, ABGs have very little fundamental tone, and they usually have very uneven frequency response. I think people like the idea of an ABG so much that they ignore the real musical limitations of trying to get real bass out of an instrument whose body is too small to support low frequency production and whose strings are probably too short for an acoustic bass. The exception is, of course, the Mexican guitarron which kicks butt all over any ABG I've ever heard. But you are talking, shall we say, manly action and developing walnut cracking strength in your fingers. Guitarrons have a huge body, very high action, and nylon strings all of which add up to a viable bass guitar. So I'm biased, and that's why I took a left turn when trying to make an instrument that would emulate acoustic basses. |
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DaveWendler Member |
Just returned from the Yucatan, and I must say I was favorably impressed with the guitarron...the one that most impressed me had eight strings, tuned in octaves...the low and octave strings(not in the same course mind you) were plucked simultaneously....there were several other versions....we saw 4, 5, and 6(the most popular) sring models, in addition to my favorite 8 stringer. We heard this instrument being played in a full tilt mariachi context....in the bar under the bullring in Cancun. Three trumpets, two fiddles, a guitar and the small guitar(I forget what that one is called, about the size of a 5 sized Martin). In addition, a family of six or seven was there celebrating their father's 90th birthday(he was a hoot, btw)...singing as loud as you could imagine....the bass had no problems being heard, supporting the other instruments and cacaphony of vocalists. The neck on this thing was only about 12" long, and did use very colorful nylon strings....other than that, very rough craftsmanship compared to American standards. Playing the Mexican polka style, simple roots and fifths, it really excelled...BUT, the way the player manhandled the instrument, I think it would be tough to do a reasonable walking line on it. I didn't notice any unusual frequency responses(ie, one note louder than the rest) from the guitarron, unlike EVERY ABG I've ever played...so I have to agree with Rick, there just isn't much out there as far as a REAL acoustic bass other than the doghouse type that cuts it. At least for covering all modern styles, anyway. For ABG's...the body is too small, the top too soft, just to get the volume out, and that leads to a huge, narrow, frequency response bump. Given the need for an instrument that can play easily, is ergonomically easy to deal with, and accepting the fact that you WILL need amplification, led me also to try to find that "sound" in a fretless "electric" instrument. Dave electroCoustic bass mp3's- New Age 5(doubled)
[This message has been edited by DaveWendler (edited 02-27-2003).] [This message has been edited by DaveWendler (edited 02-27-2003).] |
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LAPetrarca Member |
I play a Fender BG-29N. It works OK with one or two of my Martin playing friends but, more than that and it needs to be amped. Not much mind you. A Peavey Micro Bass or similar does the trick. I have electrics as well but I like having an acoustic in my arsenal too. In fact lately, I play the acoustic more than anything. I doesn't have that upright sound but it's definitely smoother and less edgey than the electric. |
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ScottTomlinson Member |
Todd, if you're going to spend no more than $1K on the whole thing, I seriously suggest buying a reasonable quality "real" upright bass. There are a surprising number of laminated body basses under a grand, and unlike acoustic guitars, "laminated" isn't a dirty word in the bass world. In fact, some very knowledgeable people think that laminated (old Kay or new Englehardt) string basses (which tend to have a more immediate attack response to being plucked with fingers) do better for folk or jazz than solid wood basses (which are the preferred choice of orchestral players where playing with the bow constitutes 90% of a night's work.) There are several good places in NYC to look further at this if it interests you... |
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bassguy Member |
quote: I guess this is what I was trying to say. If the lack of frets (as position markers) scares you away from a fretless, get a fretless with fretmarkers. This is for bass players like me who don't trust their ears well enough. The technique difference still takes a little practice, but I really like my Peavey fretless. |
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bassguy Member |
Steve, By "Rotosound Tape Wounds" do you mean "Tru Bass Black Nylon?" These were the only Rotos I could find that might be what you mean. Guy |
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Terry Allan Hall Member |
quote: These are amazingly loud, considering the dreadnaught body size...I've considered buying one myself. Again, folks, rather than complain that a ABG isn't as loud as your guitar, try playing your guitar a bit softer! |
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Steve DeRosa Member |
Dave - The Mexican Size-5 nylon-string you mention is called a requinto - I understand that, like the Martin 5 in its original incarnation, it's tuned anywhere between a third and a fifth higher than standard, with fourth-higher tuning (A-to-A, viz. Tacoma Papoose) being the most popular. I've seen a few of these around here in the NYC area in some of the mom-&-pop music stores, as well as record shops that cater to a predominantly Mexican clientele (BTW, I know of one that carries replacement guitarron strings as a stock item...!) under the Lone Star brand; if you're so inclined they could be had for $125-150 last time I looked... Scott - You're right about those old Kays - I played one in my high school pop band (nice old '40s blonde, with gen-u-ine gut strings to boot...!), sounded just fine for the sort of thing we used to do (easy-listening covers, early TJB), no problem being heard (and felt) against a BS&T/Chicago-type brass section, keys, electric guitar, and drums. I've also found that, as Rick Turner said, ABG's as a whole lack the "thump" factor - my old Guild B-50, the early EB Earthwoods (go find one...), and the Taylors and Tacomas, come close but only in a relatively intimate setting. Pursuant to this problem (and since you're both in the NYC area), you and Todd might wish to check out the new Carlo Robelli thinline upright that I saw back in November at the 48th Street Sam Ash; think acoustic version of the old Ampeg Baby Bass: full-scale/full-size but only half the depth of a traditional upright, sounds pretty good (not as gut-bucket deep-sounding as a full size, but equally projective and with far quicker response), and I believe that it's also available as an acoustic-electric - and if you have a problem with the fretless board you can always do the Edgar Mayer thing and install position markers... Guy - Them's the ones, and since you've got a fretless you owe it to yourself to check them out - with a bit of EQ you'll probably get a killer amplified-upright tone (beg, borrow, or steal a Gallien-Krueger MB150 combo the first time you try this - you may never go back to rounds/flats again)... |
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GlenS Member |
Delurking, after months of reading, to reply to a topic that is near to my heart. These days I'm mostly a bass player, all fretless and mostly acoustic. I have to respectfully disagree with those who say that the ABG is essentially a flawed concept. It is certainly a niche instrument with limited uses, but it's the perfect instrument for some. Me, for example. As Rick Turner said, the living room is where they are most useful--but there are those of us who do most of our playing in the living room. I am pretty serious about my music, but it is just a hobby for me. I don't use my ABG on stage, and it records well. (I record in the kitchen, though.) Great for road trips, too. I'd love to have a Renaissance bass, but I'd be hesitant to take it on a camping trip! I think it's important to understand what an acoustic bass guitar is not. It isn't a P-bass, and it won't give you that punch in the solar plexus that an electric can. It isn't a double-bass, and it won't sound like one, and certainly won't be as loud. Mine is loud enough to back up one guitar, and has an acoustic sound that I like better than the electric sound. (Mine is an Aria. I use LaBella tapewounds, but I've also used the Rotosound Trubass 88 black nylons and Fender 9120 tapewounds.) I've tried several ABGs, and admittedly many are garbage. Some of them respond like something built by a carpenter, not a luthier. Some sound much better, and it doesn't necessarily correlate to the price. I've tried some cheapies that sound better than some well-known mid-priced instruments. Haven't tried any of the high-dollar ones. Tacoma seems to get the most praise from the folks on the bass message boards, and isn't outrageously priced. ABGs will never be tremendously popular, and that's okay. I like the acoustic sound, and it isn't practical for me to acquire, master, and find space for an upright. The acoustic bass guitar is what suits my needs best. As an amateur, I have the luxury of overlooking some limitations. (Apologies for the lengthy first post. Great board you've got here.) |
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Mooh Member |
Hands down the best bass I ever owned, electric or acoustic, was a Godin fretless. Too quiet acoustically to be of any use, it nonetheless was wonderful amplified. With Fender nylon tape wound strings (steel core of course) it sounded as close to an upright as any electric I've tried. I only parted with it after it served me well for 4 years of regular gigging and took alot of road abuse. I'm still planning on getting another. I've also had the forgetable Washburn AB20...I don't miss it. It was okay but was a lousy balance to hold. My second favourite bass was a Fender Telecaster bass (yes there was such a thing) which was stolen 20 years ago. All the others (various P and J basses) were fine but didn't knock me out like the Godin. I currently play a home made four string soon to be be converted to fretless, a Headway headless 4 string, and an Ernie Ball 5 string. The Ernie Ball is my first choice, killer pickup, and nice string spacing. I haven't played Rick Turner's basses, but on reputation alone they'd be a safe alternative. For acoustic music I'd still pick the Godin with or without frets. No contest. My 2 cents. Mooh. |
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V.Mage Member |
Does anyone have any experience with mando bass(not really a mandolin at all but a fretted stand up with a teardrop shaped body), bajo sexto, or contra bass balalaika?
[This message has been edited by V.Mage (edited 02-28-2003).] |
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danath Member |
I'm not a bass player, but for what it's worth I've been told that Stevie Wonder bought a Burrell Bass at this year's NAMM show (www.burrellguitars.com). I have a Burrell 6 string & love it. And all the feedback I've seen on his bass guitars suggests they're pretty good. Just thought I'd toss that in for something a little different. david |
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mchalebk Member |
I have looked off and on for several years at acoustic basses. Though I would certainly want the capability to plug in, I was also only interested if I thought I could use it unplugged in a casual living room environment. Unplugged, the cheaper ones were all pathetic. The Martin, Guild and Taylor were better, but still very unsatisfying. The only one that actually had nice tone and decent volume was a Tacoma. I'm not sure what model it was, but it went for just under $1000 with built in electronics. I remember thinking "now THAT sounds like a Real Bass." If you're stuck on getting a true acoustic bass guitar, I would strongly recommend that you give the Tacoma a try. I still haven't convinced myself to buy one yet, but the Tacoma is the only one I've tried that I would consider. |
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