lessons | guitar rag


ACOUSTIC BLUES GUITAR ESSENTIALS

Your first guitar rag.

Dale Miller is a fingerstyle guitarist, guitar teacher, music store owner, freelance writer, and computer consultant living in Berkeley, California. He has two book/CD combos available from Mel Bay Publications, and his 1974 LP Fingerpicking Rags and Other Delights has been rereleased by Fantasy Records. He has contributed to a number of String Letter Publishing books, including Fingerstyle Guitar Essentials and Acoustic Blues Guitar Essentials. In addition, Miller has recorded a self-produced CD of fingerstyle and slide guitar duets titled Both of Me, which is available through his Web site at www.dalemiller.com.

To hear the examples, you need the RealPlayer plug-in. Enjoy your lesson, and check out the instructional book/CD, Acoustic Blues Guitar Essentials.

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Guitar rags have been popular with fingerpickers at least since the mid-1920s, when the invention of electronic recording made it possible to record softer instruments like guitar. In fact, the steady alternating bass of traditional fingerpicking probably resulted from guitarists imitating the steady left hands of ragtime and stride piano players. Rags are often flashy, usually humorous, and fun to play—the perfect contrast to the sometimes overly artsy, moody, self-conscious new age noodling so prevalent among today's pickers. Mastering ragtime guitar takes a lifetime of work and dedication, but for those of you who know first-position chords and have some experience picking individual strings with your right-hand fingers, it shouldn't be too difficult to get started.

The style is usually based on a steady 4/4 bass line that looks like Example 1 when played with a first-position G chord.

Tune Up
Example 1

  On top of this steady bass, the fingers usually get very busy, playing streams of arpeggiated eighth notes. Try the pattern shown in Example 2 over the G, working up to medium tempo. Be sure to make it swing. The fingering indicated suggests using the right-hand ring finger. You could just as efficiently use the right-hand index finger. The important thing is not to use the same right-hand finger twice in a row when playing streams of eighth notes.
Example 2
  Now try out this basic pattern over different chords. You'll have to change the bass line depending on where the root note falls. In a first-position C, for instance, you should execute the pattern as shown in Example 3.
Example 3
  Play the low G note by moving your left-hand ring finger from the fifth string, and keep your pinky free for fretting treble notes. Practice the pattern through a few simple chord progressions.


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© 2002 String Letter Publishing, Inc., David A. Lusterman, Publisher.