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Free your
fingers from picking patterns.
Senior Editor Teja Gerken has been at
Acoustic Guitar since 1997. Prior to his tenure at AG, he managed a
music store, apprenticed with a guitar maker in Paracho, Mexico, and
worked as a freelance translator and desktop publisher. An accomplished
fingerstyle guitarist, Gerken performs througout the San Francisco Bay
Area and internationally, and his two CDs of solo guitar music, On My Way, and Postcards have
received widespread acclaim. Gerken hosts a monthly acoustic guitar
showcase at San Francisco's Bazaar Cafe, and he is a DJ for KUSF
90.3FM's Guitar Journeys
radio show. His website at www.tejagerken.com
features links to most of his guitar-related activities as well as a
gig schedule and samples of his music. He can also be found at www.youtube.com/tejaguitar
To hear the examples, you need the RealPlayer plug-in.
Enjoy your lesson, and check out
the Acoustic Guitar Fingerstyle
Guitar Method for more great fingerstyle lessons.
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Tune up
Experienced fingerstyle guitarists often convey
an amazing sense of fluidity. Their fingers seem to effortlessly find
the correct strings, and they never give the impression that they spend
any time thinking about their next move. Most beginning fingerpickers
quickly realize that, since they have fewer fingers than the guitar has
strings, they'll have to come up with some method of easily determining
which fingers to use where. Many methods and teachers advocate an
approach that assigns each of the fingers to a treble string and lets
the thumb take care of the bass strings. Typically, this means that the
ring finger plays the first (high E) string, the middle finger plays
the second (B) string, and the index finger plays the third (G) string.
Depending on the chord and the progression, the thumb handles notes on
the fourth (D), fifth (A), or sixth (low E) strings.
Assigning fingers to strings is a good idea
when you're starting out, as it allows you to focus on important things
like fretting, rhythm, and tone production. And there are countless
examples of music in many genres that don't ever require you to stray
from these comfortable finger assignments. As an illustration of this
basic approach, look at Example 1 below. In this simple chord
progression, the fingers continuously strike the same strings, while
the thumb plucks the root of each chord.
Example 1

Getting this basic pattern under your fingers is
essential, but it won’t be long before its limitations become apparent.
For example, if you want to play specific notes in nonbarre chords up
the neck, you may need to pick the strings in combinations that don’t
conform to the basic finger assignment. For example, to play the Am7
and D7 chords below, which are commonly used in many styles of jazz
comping, you’ll need to move your fingers down to the second, third,
and fourth strings.

Simply move all three fingers over, so that your
index finger strikes the fourth string, your middle finger strikes the
third string, and your ring finger strikes the second string.
This same finger position can be applied to the basic pattern used in
Example 1, but try using an F# on the sixth string (fret it with your
thumb) as the bass note of the D chord, since your index finger is now
playing the D string.
Example 2

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