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From Acoustic Guitar Magazine, June 1999, No. 78

GUITAR POLISHES | CUTAWAYS AND SOUND | DANIEL HECHT | WENGEWOOD

Send Us a Question

Guitar Polishes

Q I have heard that some guitar polishes contain chemicals that may adversely affect finishes. Is there any truth in this?

John Evans
Canterbury, England

A I have never heard of guitar polishes hurting the nitrocellulose lacquer, polyester, polyurethane, or catalyzed lacquers most often used as guitar finishes. I did get some weird reactions with some waterborne lacquer, and vinyl guitar straps are the enemy when it comes to lacquer. Silicone in polishes and fingerboard lubricants may cause problems for any future refinishing or finish touchup work, so be careful there. Petroleum distillates are just what the name implies--relatives of gasoline, kerosene, mineral spirits, mineral oil, and dinosaurs (or so we've been told). The basis of modern life is petroleum distillates, and it's all just based on carbon, like us. Just like wood, for that matter. Burn wood, and what do you get? Carbon. This is getting way too philosophical. Just follow the directions, and you'll get a shiny guitar. I did.

--Rick Turner

 

Cutaways and Sound

Q How significant a sacrifice in sound quality does one make when obtaining a cutaway?

Alan Pryor
Frisco, Texas

A There's no set rule about what differences you can expect to hear between cutaway and noncutaway guitars. If everything else is equal, in theory the cutaway version should have a bit less bass response because the cutaway has reduced the air volume of the sound chamber. This difference becomes more pronounced on smaller-bodied guitars, simply because the percentage of the total body cavity that is "missing" as a result of the cutaway is much greater. In other words, don't expect to hear much difference between cutaway and noncutaway dreadnoughts or jumbos. This is not to say that the difference, even when noticeable, should necessarily be called a "sacrifice." You may prefer the response of a cutaway. Remember that guitars vary so much from one to another, even when everything is strictly controlled as in modern manufacturing, that it's not unusual to find a cutaway model that has more bass than the noncutaway version hanging next to it.

--Richard Johnston

 

Daniel Hecht

Q Whatever happened to guitarist Daniel Hecht?

Gilberto M. Moreno
El Paso, Texas

A As one of the original Windham Hill guitarists of the early '80s, Daniel Hecht gained recognition with his album Willows (out of print). His last professional musical activity dates back to 1989, with tours in the U.S. and China. Medical problems with his hands forced him to retire the following year. Soon after, Hecht attended the Iowa Writers' Workshop, eventually graduating with a master's degree in fine arts and writing. He hit paydirt with his first novel, Skull Sessions (Signet), a best-seller that is now available in paperback. His second novel is awaiting publication.

--Teja Gerken

 

Wengewood

Q What is wengewood?

Thomas Stihl
Chicago, Illinois

A Wenge is a dense, chocolate-brown African wood with very open pores that is popular among some luthiers for building guitar bodies, necks, and/or fingerboards. One of the most vocal proponents of wenge is Michael Tobias, who uses it in bass necks.

--Rick Turner

SEND QUESTIONS TO Dear A.G., Acoustic Guitar, PO Box 767, San Anselmo, CA 94979-0767; email dear.ag@stringletter.com.

 


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