|

| Grammy
Awards
RETURN
TO TOP |
Six-time Grammy winner Doc Watson received a Lifetime
Achievement Award from the Recording Academy (NARAS) during the
Grammy Awards held in Los Angeles on February 8. Other honorees
included classical pianist Van Cliburn, Motown backup band the Funk
Brothers, children's musician Ella Jenkins, jazz saxophonist Sonny
Rollins, and swing bandleader Artie Shaw. Notable guitarists earned
Grammys for Best Pop Instrumental Performance (the late George Harrison,
"Marwa Blues"), Best Pop Instrumental Album (Ry Cooder
and Manuel Galbán, Mambo Sinuendo), Best Rock Instrumental
Performance (Jeff Beck, "Plan B"), and Best Traditional
Blues Album (Buddy Guy, Blues Singer). Pat Metheny took
home the Best New Age Album award for his solo acoustic baritone
guitar album, One Quiet Night. "A Mighty Wind"
was named Best Song Written for a Motion Picture, Television, or
Other Visual Media. Alison Krauss added three more Grammys (for
Best Bluegrass Album, Best Country Collaboration with Vocals, and
Best Country Instrumental Performance) to her record-setting collection
of 17, the most ever won by a female artist. A complete list of
winners is available at www.grammy.com. |
| John
Fahey's Second Best
RETURN
TO TOP |
Fantasy Records (www.fantasyjazz.com)
has just released The Best of John Fahey, Vol. 2, 1964—1983,
culled from guitarist John Fahey's later years with Takoma, the
label he cofounded with Ed Denson in 1959. Northern California experimental
guitarist Henry Kaiser produced the new collection of what he calls
"dangerously expressive guitar music" with an appreciation
for the "mercurial and ever-changing set of concepts"
that Fahey used in his own evaluations of his work. Overlapping
chronologically with the original The Best of John Fahey 1959—1977
(which Fantasy reissued in 2002), Vol. 2 is composed of selections
that Kaiser felt would "continue the tradition of Fahey's selections
for Vol. 1," including the railroad yard—inspired "Oneonta,"
a live version of "Steamboat Gwine 'Round de Bend," the
Christmas medley "Hark, the Herald Angels Sing / O Come All
Ye Faithful," and a relatively obscure 1966 epic, "The
Fahey Sampler." The album also includes three previously unissued
performances that were, according to the liner notes, "probably
recorded in 1991" for Azalea City Memories (and Dreams
of Prince George's County), an unreleased homage to Fahey's
hometown. |
|
Guitar
Collectibles
RETURN
TO TOP |
Whether you fret about the effect of
GAS (guitar acquisition syndrome) on your nest egg or dream of showcasing
vintage Gibsons, Guilds, Martins, Fenders, and more on stands in
every corner of your house, you'll likely be entertained and perhaps
even enlightened by Bill Dixon's highly personalized guide Guitar
Collecting: How I built a $65,000 collection of guitars from a $1,000
investment in four years and how you can too! The homespun
94-page manual (with grainy black-and-white photos) leads you toward
the brink of the slippery slope of guitar collecting and offers
advice on everything from scouting out and fixing up your acquisitions
to keeping a purchase diary. It's available for $14.95 postpaid
from the author at PO Box 552, Boothbay Harbor, ME 04538, bigartdog@aol.com. |
|
The
Rome Festival
RETURN
TO TOP
|
The Rome Festival Orchestra seeks volunteers
willing to fold their love of music and curiosity about Italian
history and culture into altruistic support of the summer 2004 Rome
Festival. The festival brings international performers together
in public performances throughout Rome, Italy, encouraging them
to collaborate with and learn from each other and explore Italian
culture. Volunteers are needed to sing in the chorus, help with
all aspects of performance presentation from set and costume design
to box office operations and ushering, take professional-quality
photographs, assist with bookkeeping, coordinate cultural programs
and social events, and more. Volunteers must pay their own way and
cover daily expenses. For details, go to www.geocities.com/romefestival
or call (800) 811-3841. |
| Agit
Folk
RETURN
TO TOP |
Daemon Records (www.daemonrecords.com),
the Decatur, Georgia, not-for-profit label started by Amy Ray of
the Indigo Girls, has partnered with Oakland, California—based
AK Press (www.akpress.org)
to kick off a fledgling political folk series with new releases
by veteran rabble-rouser U. Utah Phillips and contemporary activist/
troubadour David Rovics. I've Got to Know is a 70-minute
fulmination of pointed recitations and urgent singing recorded by
Phillips in 1991 during the first Gulf War. Combining poetry by
Bertolt Brecht, Robert W. Service, T.E. Lawrence, and others with
original songs and an up-dated version of Woody Guthrie's "I've
Got to Know," Phillips stakes out his antiwar and prolabor
positions unequivocally.
Behind the Barricades: The Best of David Rovics collects
18 performances from 1998 to 2003 and three new tracks by the 37-year-old
agitpropster who performs at rallies, strikes, and demonstrations.
Strumming and picking acoustic guitars, Rovics extends the legacy
of Pete Seeger and Phil Ochs by bringing laser-like lyrical focus
to topics ranging from radical ecology and social inequality to
Henry Ford's ideological bent and the war against terrorism. |
| Jeff
Tweedy, Poet
RETURN
TO TOP |
At least since Bob Dylan warned "the line it
is drawn / the curse it is cast," popular song lyrics have
been compared to or analyzed as poetry. And from Robert Burns through
John Lennon and beyond, songwriters have often forgone musical settings
to allow their words to stand alone on paper. The latest, but hardly
last, is alt-country pioneer Jeff Tweedy of Uncle Tupelo and Wilco.
His Adult Head inaugurates Nightingale Editions, a new
series of books from Zoo Press (www.zoopress.org)
highlighting the purely literary side of pop lyricists. To wit,
Tweedy's "Yachting?": "I have never been yachting
/ or on a boat / but / I imagine it / a passionate bath / with an
older brother / gentle then turning / competitive / as he studies
/ for the bar." |
| Guitar
Sonata Unearthed
RETURN
TO TOP |
While performing and teaching at the West Dean International
Guitar Festival in England last summer, classical guitarist David
Leisner discovered a new three-movement sonata by the little-known,
early-19th-century composer Stephen Pratten. One of the participants
at the festival had purchased a bound book of manuscripts (which
included the piece) at an antique shop. Research revealed that Pratten
(1799—1845) was better known as a teacher than performer,
which may have accounted for his composition's obscurity.
"I consider it a masterpiece for many reasons," explains
Leisner, who has added it to his repertoire alongside works by Rodrigo,
Vivaldi, Piazzolla, Villa-Lobos, Brouwer, and Giuliani. "It
is consistently, sometimes wildly, inventive and imaginative and
daringly original. There is never a moment when the piece is static—it
always moves restlessly forward (a quality of virtually all great
musical compositions). The quirky harmonies, the uncanny grasp of
architecture, and the ever-present element of surprise all combine
to make this piece a pleasure to hear and to play again and again."
Leisner plans to perform the piece often to allow his interpretation
to mature before he records and publishes it, saying, "I consider
it a great responsibility."
—Derk Richardson |
| Meet
A.G. RETURN
TO TOP |

Click
here to meet the Acoustic Guitar team at a wide variety upcoming
music events and trade shows. Listed below are some things happening
in the next few weeks. |
| |
Excerpted from Acoustic
Guitar magazine, May
2004, No. 137.
|
Got some news? Send it to Happenings, Acoustic
Guitar, PO Box 767, San Anselmo, CA 94979-0767; email happenings.ag@stringletter.com;
or fax (415) 485-0831.
|