OOH, THAT SMELL | PRACTICE TIME | NUTS AND SADDLES

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Ooh, That Smell

Q I was recently playing guitar with my (former) friend in his backyard. I momentarily leaned my Taylor against the wall, and his dog urinated on my guitar! We cleaned up the mess with water and towels the best we could, but how do I get rid of the smell?

Eric Robicheaux
Metairie, Louisiana

A This sort of thing happens more often than you would think (or hope); chalk it up to territorial animal instincts. If the exterior of the guitar is the only part that was soiled, normal guitar cleaning methods (polish, etc.) should do the trick. If any urine got inside the guitar, you have a more difficult job ahead of you. Probably the most guitar-friendly approach is a combination of fresh air and trusty old baking soda to neutralize the odor. Let the guitar air out for a bit (avoid heat since it can set the stain), then place a spill-proof open container of baking soda inside the body of the guitar. If that doesn't work, you may have to go with a commercial cleaning product. As you might guess, pet stores generally carry a wide selection of odor removers. Pet odor is protein-based, so look for an enzyme-based product that literally eats away the odor, rather than something like ammonia or vinegar that merely masks the smell.

—Nicole Solis

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Practice Time

Q What is the best way to organize my practice time? Between trying to fit in all the different styles I'd like to learn, I feel like I'm not getting anywhere.

Bruce Armentrout
Baltimore, Maryland

A Having more than one thing to work on is actually a good thing, because switching between different styles and techniques can keep you from burning out. The trick is to keep each area of study on a progressive track, so you can hear yourself improve over time. One idea is to figure out where you'd like to be a year from now and then work out a program of little methodical steps that can take you there.

If you're working from several books, pick one to use as your main program for each technique you want to develop. Plan on working out of each book for about the next three months (at which point you can re-evaluate your plans and interests). Look each book over to get a feel for how it's organized, how much material is covered in each section, and what you can hope to play when you've made it partway or all the way through. In the book, mark off a small section—some exercises, part of a piece, or a combination of the two—with the date; that's your assignment for this week. Do the same thing with the other book or books you want to work out of. Three subjects is probably the most you should tackle at a time.

If you already have a particular time set aside for practicing, great. If not, try to find a daily practice time that works for you, even if it's just 20–30 minutes a day, five days a week. Divide your daily practice session evenly, spending the same amount of time on each lesson. If you're focused, you can make surprising headway by devoting ten minutes a day to each of your lessons.

After a week, create your next assignment. But before you do, ask yourself: How did it go over the past week? Did you assign yourself too much? Too little? It may take a while to accurately estimate your weekly capacity. If you could do the whole lesson by the second or third day, then it was too easy; if you're only halfway through and still struggling by the end of the week, it was too hard. After three months, look back at what you've accomplished. You'll undoubtedly see that even with these small steps, you've made some progress toward your goals.

—David Hamburger

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Nuts and Saddles

Q I am trying to find parts for an Epiphone FT-140. I want to replace the nut and saddle, but I can't find anything that lists the correct size parts.

Marvin R. Harris
Bay City, Texas

A The parts you're looking fornut and saddleare generic parts any well-stocked music store should carry. Because every guitar (even of the same model) is slightly different, this isn't a case of just dropping in a new part in place of the old one; the parts generally need to be modified or even fitted from a bone blank. If you don't know how to do this, take the guitar to a repair person for the job; it takes experience to make an instrument play well. Check out www.frets.com for advice on how to do this work yourself. Fortunately, this is one thing you can experiment with that won't damage your guitar. If the parts you make don't work, you can always start over, since they're not permanently attached to the instrument.

—Teja Gerken

Send Questions, tips, or observations to Acoustic Guitar’s online discussion forums at www.acousticguitar.com or write to Q&A, Acoustic Guitar, PO Box 767, San Anselmo, CA 94979-0767.

Excerpted from Acoustic Guitar magazine, August 2002, No. 116.

SEND QUESTIONS TO Dear A.G., Acoustic Guitar, PO Box 767, San Anselmo, CA 94979-0767; or go to our online form. Get answers to your questions online at the Guitar Talk discussion forums. There are sections for chatting about gear and guitars (Gear), players and recordings (Players), and technique and theory (Playing Guitar).


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