October 2001, No. 106

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STEADY ON: Shawn Colvin adopts a relaxed new attitude on stage and in the studio. By Julie Bergman
Songwriting partner John Leventhal
Words and music to "Nothing Like You"

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REMEMBERING BLIND JOE DEATH: The final pages of eccentric fingerpicker John Fahey’s mysterious and compelling saga. By Jim Ohlschmidt
Restoring Fahey’s smashed guitar
Music to "Sunflower River Blues"

GUITARS IN THE CLASSROOM: New programs put acoustic guitars in the hands of teachers and students. By Lissy Abraham
Manuel Barrueco’s mentoring program

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DEPARTMENTS

JUMP STREET Farewell to John Hartford, the secret hits of Patrick Brayer, Martha Masters on the rise, Happenings, and more.

REVIEWS Martin Carthy box set, music notation software, and Hit List CDs and Books.

A.G. LETTER American guitarist Del Rey fraternizes with the locals in Havana, Cuba.

ON THE WEB Alternate Tunings On-Line: Cyber signposts for fretboard explorers. By Jeffrey Pepper Rodgers

SONG CRAFT Bringing It All Back Home: Alt-country songwriter Rodney Crowell records the most ambitious and personal album of his career. By David McCarty
Words and music to "I Wish It Would Rain"

STAGE AND STUDIO The Last Step: Mastering Your CD. By Julie Bergman

GEARBOX Equipment picks from Shawn Colvin, Rodney Crowell, and others, Tacoma archtop review, a visit with New Mexico's Pimentel Guitars, and new gear.

SHOPTALK Make Sawdust: How to get into guitar building. By Rick Turner

DEAR A.G. Answers to your questions about Joni Mitchell's Music, Getting a Grip on Your Guitar, and Nonwood Guitars, plus a practice tip for beginners.

PRIVATE LESSONS

Basics: Getting Low Lows with a Partial Capo. By Peter Mulvey
12-bar blues

Celtic Backup: Exploring Drones in Standard Tuning. By David Surette
Music to "The Hunter’s Purse" and "La Grondeuse"

MARKETPLACE Browse the classified ads with live links to advertiser Web sites.

GREAT ACOUSTICS España 6/12 Doubleneck. By Michael Wright

Cover: Shawn Colvin on stage at Austin City Limits, 2001. Photo by Scott Newton/Austin City Limits.


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