JONI MITCHELL MUSIC | GETTING A GRIP ON YOUR GUITAR | NONWOOD GUITARS
BEGINNERS' TIP: LEARNING BY REPETITION

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Joni Mitchell Music

Q I loved your transcription of Joni Mitchell’s "This Flight Tonight" in the May issue, and I’m now trying to learn "California." Can you suggest some resources for music and tab?

Bruce Thomas
Callahan, Florida

A Glad to hear you enjoyed the transcription. Mitchell played "California" on a dulcimer, but there is a guitar adaptation as well as a wealth of information and tablature at the Joni Mitchell Discussion List, www.jmdl.com. "California" is also included in Warner Brothers Publications’ book of transcriptions from Mitchell’s compilation CD Hits. Check out our free online feature story about Joni Mitchell, too.

—Andrew DuBrock

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Getting a Grip

Q I play guitar while sitting, and I live in the Northeast where long sleeves are a must. I’m having trouble holding on to my guitar while I play. How can I keep it anchored?

Mickey Purcell
Montpelier, Vermont

A A guitar can be hard to hold because of the clothing you’re wearing, the kind of chair or stool you’re sitting on, or even the shape of the guitar itself. Guitars with rounded plastic backs, such as Ovations, are hard for many players to hold in a sitting position. If your guitar is too big for your body or if it has a deep waist or radically shaped bouts, it might also be more difficult to hold. Before trading in your guitar, however, try some simple solutions like rolling up your right sleeve (if you’re a righty) so that your skin contacts the top of the guitar. You might also try using a strap while sitting to hold your guitar in place. Another option is to explore the classical position, where your left leg is elevated with a footstool. This position allows you to firmly support the guitar with both of your legs and your body. Finally, if nothing else works, you might have to get creative with Velcro or double-sided tape.

—Gary Joyner

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Nonwood Guitars

Q Are there any materials aside from wood that would make a good guitar body?

Ryne Dionisio
Bartlett, Illinois

A The question is not so much what other materials could be used to make the body of a guitar, but what the resulting instrument would sound like and how it would sell. Injection-molded plastic guitars were successfully marketed almost 50 years ago by such innovators as Mario Maccaferri. Ovation and RainSong have had considerable success with fiberglass and carbon fiber. Martin is currently using high-pressure wood composites similar to Formica for a few low-cost models and recently introduced a guitar with an aluminum top. The biggest challenge isn’t finding an alternative to wood but getting the guitar-buying public to accept how it sounds.

—Richard Johnston

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Beginners' Tip: Repeat if Necessary

If there is one thing that guitar teachers agree on, it is that we learn most effectively by isolating a small problem, creating a simple exercise, and repeating and repeating and repeating it, as slowly as we need to, until we get it right. This is a truth known instinctively by my toddler son, I noticed recently; when he is trying to memorize the name of something, he points to one thing and then the other, one thing and then the other, asking me to repeat the two words sometimes ten or 15 times until he’s got it—then he won’t ask again. The guitar equivalent of this is, if you are having trouble going from a G chord to a C, slow it down and do that single change over and over until you think you are going to go out of your tree. At that point, you will have it.

—Jeffrey Pepper Rodgers

 

Send Questions, tips, or observations to Acoustic Guitar’s online discussion forums at www.acousticguitar.com or write to Dear A.G., Acoustic Guitar, PO Box 767, San Anselmo, CA 94979-0767.

Excerpted from Acoustic Guitar magazine, September 2001, No. 106.

SEND QUESTIONS TO Dear A.G., Acoustic Guitar, PO Box 767, San Anselmo, CA 94979-0767; or go to our online form. Get answers to your questions online at the Guitar Talk discussion forums. There are sections for chatting about gear and guitars (Gear), players and recordings (Players), and technique and theory (Playing Guitar).

 


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