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Hit List
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Charles Sawtelle, Music from Rancho deVille.
Charles Sawtelle, late guitarist with the seminal bluegrass
band Hot Rize, was called the Bluegrass Mystery by his friends.
But there’s nothing mysterious about the exceptional talent he
displays on this posthumously released solo CD. Joining Sawtelle
on these 16 tunes are Tim O’Brien, Laurie Lewis, David Grisman,
Flaco Jimenez, Sam Bush, Norman Blake, and many more acoustic
stars. Sawtelle’s soft, sincere voice and crystalline flatpicked
guitar on traditional tunes like "Gonna Paint the Town" and "The
Ranger’s Command" demonstrate the vibrant talent he sustained
until his death in 1999. The last track, a haunting rendition
of "Angel Band," eerily foreshadows his imminent death. This is
remarkable music from an expert musician taken from us far too
soon. (Acoustic Disc)
––David McCarty
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Jeb Loy Nichols, Just What Time It Is.
Sounding a bit like a male Sade with roots and a flattop
guitar, Jeb Loy Nichols offers a fresh, smooth, and romantic twist
on singer-songwritering. The prime ingredients of his sound are
classic southern soul, James Taylor–esque pop-folk, and reggae
(portions of this CD were recorded in Jamaica), all held together
by Nichols’ distinctive velvety voice. The opening "Heaven Right
Here" is a perfect blue-skies anthem with a swaying chorus that
doesn’t let go; "Say Goodbye to Christopher" gets funkier and
more urban; while soft asides like "She Reminded Me" are pared
down to voice and gently strummed guitar. Definitely music for
lovers, or those pining to be. (Rykodisc)
––Jeffrey Pepper Rodgers
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Axel Schultheiss, Free Mind. Fingerstyle
guitarist Axel Schultheiss has created a CD that recalls the work
of Philip Glass, Steve Reich, and other minimalist composers whose
pieces explore sonic textures and subtle rhythmic inflections
rather than involved harmonic progressions and elaborate melodies.
Schultheiss layers acoustic guitars tocreate a shimmering, orchestral
wash of sound, and his pieces develop kaleidoscopically with shifting
rhythmic pulses that are often anchored by repetitive but interesting
ostinato figures. You won’t walk away from this one humming catchy
melodies, but the best of Schultheiss’ tunes, like "Spiral Dance"
and "Lonely Hope," are highly evocative and mesmerizing in an
ambient sort of way. (Acoustic Music)
––Ron Forbes-Roberts
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Dale Kavanagh, 20th Century Variations.
Canadian guitarist Dale Kavanagh, who now lives in Germany,
revisits the 20th century with this group of three sets of variations
by Carlo Domeniconi, Manuel Maria Ponce, and Benjamin Britten.
Kavanagh brings a great deal of insight to these pieces, particularly
Ponce’s most ambitious work for the guitar, his variations on
the ancient theme "Folia de España," and Britten’s groundbreaking
Nocturnal, Op. 70. Praise must also go to luthier Kolya Panhuyzen
for building Kavanagh an instrument of great expressive range
and power. (Hänssler Classic)
––Stephen Dick
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Cosy Sheridan, Ant Hymn. If I were
going to throw an all-girl dinner party at which I wanted to laugh
and cry from the hors d’oeuvres to the chocolate pudding, Cosy
Sheridan is the first woman I’d invite. And if she were out of
town, I’d make do by playing Ant Hymn really loud. From
Barbie to bellies, SUVs, bathroom germs, and broken hearts, Sheridan
deals it all a grave smile. Over a cabaret piano, she lampoons
(and laments) billboard bikini girls. With a fingerstyle guitar
backdrop, she offers Dorothy advice on the yellow brick road.
In all, her seasoned, expressive voice paints a sympathetically
wry (and extremely musical) picture of this odd world we inhabit.
(Wind River/Folk Era)
––Rani Arbo
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Septeto Nacional Ignacio Piñeiro, Soneros
de Cuba. In 1927 Ignacio Piñeiro mixed lead trumpet
into the sounds of Cuban son and then went on to lead Septeto
Nacional for the next 40 years. Current director/guitarist Ignacio
Aymee Castro is holding Piñeiro’s torch sky-high. The group’s
latest dance-inspiring CD, Soneros de Cuba, features excellent
arrangements and musicianship—including some fine fretwork by
Castro on guitar and Enrique Collazo Collazo on tres. Son,
guajira, bolero, and rumba tunes will tempt your toes to
tap from the first track to the last. (Son/RealRhythm)
––Matthew Kramer
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Blue Mountain, Roots. After releasing
three albums of hard-hitting roots rock, Mississippi’s Blue Mountain
goes mostly acoustic on Roots, with ten covers from the
American folk tradition. Like the band’s name, the material is
a mixture of blues and mountain music, with drinking songs like
"Rye Whiskey," murder ballads like "Rain and Snow," and hokum
like "That Nasty Swing." They’re all given a lively, spirited
treatment, with alt-country attitude and old-time chops. Cary
Hudson plays guitar, violin, and harmonica with rough abandon,
banging out hard-edged leads on slide guitar; Laurie Stirratt
keeps the rhythms solid and lively on acoustic guitar and bass;
and George Sheldon holds the band together with hard-driving bass
and piano. Roots is state-of-the-art folk music, with timeless
songs and invigorating performances. (Black Dog)
––Kenny Berkowitz
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Sviraj, Ciganine. Tamburitza is
the name of a family of guitar-like plucked instruments played
in ensembles and much loved in Croatia, Serbia, and other parts
of the former Yugoslavia. This high-energy musical tradition also
flourishes in Slavic-American communities, where, when the music
is really cooking, listeners and dancers shout "sviraj!" (play
on!). On this CD, Sviraj, the band, amply demonstrates the aptness
of its name. Performing both originals and classics with grace
and verve, the band captures the genre’s unique rhythmic feel--the
bass and bugarija (a chording instrument) lay down a bouncy groove
while the Gypsy-influenced fiddle and passionate three-part vocals
float elastically over the top. (Omnium)
––Sue Thompson
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Archives
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Visit the reviews
archives to read dozens of reviews of great acoustic-guitar
oriented CDs.
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Sources
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Acoustic Disc, (800) 221-DISC, www.dawgnet.com.
Acoustic Music, www.acoustic-music.de.
Black Dog, (866) 218-1294, www.blackdogrecords.com.
Hänssler Classic, www.kavanagh.de.
Omnium, (612) 375-0233, www.omnium.com.
Rhythm Rodeo, (877) 846-2357, www.vincejunior.com.
Wind River/Folk Era, (630) 637-2303; www.folkera.com.
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Excerpted
from
Acoustic
Guitar magazine, June 2001, No. 102.
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Want
to chime in with a review of your own? Post it in the Players
forum in Guitar Talk at
www.acousticguitar.com.
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